Read Part IV about the Marseille and Wirth Hermits here.
Compared to the Hermits we’ve studied up until this point, the Hermit from the Thoth Tarot (CHT) seems like a radical departure from tradition.
It’s true, Crowley did reinvent the Tarot, creating his own, new spin on an old tradition. The Hermit plays an integral role in Crowley’s complex vision. I will discuss my understanding of Crowley’s ideas relating to the Hermit in this post, focusing on details that set this Hermit apart from the others, but ultimately, I intend to illustrate that at its core, this is still a Hermit like all the rest.
The artist, Lady Frieda Harris, was very clever in the way she portrayed this character. At first glance, this man, facing away from us, appears to have the long hair and beard we’ve come to recognize as characteristic of the Hermit. Look again, though, and you may notice that from this angle, his beard looks rather beak-like, and the hair is reminiscent of feathers, or perhaps an ancient Egyptian headdress. Why, this Hermit appears to be none other than the ibis-headed scribe of the ancient Egyptian pantheon, whose name graces the entire deck: Thoth himself. In Crowley’s companion text, The Book of Thoth, Crowley states in his entry on this card that the Hermit is indeed Mercury “in his highest form”.* Those who are familiar with classical mythology, as well as classical writers’ treatment of Egyptian mythology, will understand that Mercury and Thoth were thought to be two names for the same deity. The implications of all this are staggering. I will not go much more into it here, because I’ve already discussed this subject in great detail in another post, but suffice it to say that the Hermit is not only a very wise man, but he is supposed to be the embodiment of the God of Wisdom of ancient times. As a member of the Hermetic Order of the Golden Dawn (Hermes being yet another incarnation of this god), that Crowley would associate this character with these names suggests that the Hermit is at the very center of his spiritual and magical philosophy.
Before I go any further, I should say that much of the symbolism we see in this card is derived from the Kabbalah. Now, Crowley was not the only person to use the Kabbalah with the Tarot – far from it. There are multiple ways to associate the Kabbalah with the Tarot, and they don’t all agree (for example, Wirth used different attributions than Crowley did). However, my understanding of this branch of Jewish mysticism is elementary at best, and this confusion is only compounded by the disagreements between occultists, so I avoid talking about it when I can. In the case of Crowley’s Thoth, however, it is so firmly entrenched in the imagery that I do not think I can avoid mentioning it this time.
So with that in mind, onto the next point. The Hebrew letter associated with the Hermit (according to Crowley) is Yod. Again, this illustrates to Kabbalistic types just how important the Hermit is. Yod is the first letter of the Tetragrammation, or the unpronounceable name of God (YHVH, to use the English equivalent letters), and the letter from which all other letters are formed. As such it symbolizes the “Father, who is Wisdom”. The Hermit’s body is drawn in such a way as to evoke the shape of the Yod, and because Yod translates to “hand” (“the tool or instrument par excellence”), the Hermit’s hand occupies the central point of the card.
In his hand is, of course, the lantern, which doesn’t just house any old star; it contains the Sun. However, in another streak of cleverness, Harris drew this lantern in a way which, if you look closely, evokes the Star of David in its shape. So we have both the symbolism of the Sun – illumination, creation, Fire, God the Father – combined with a subtle reference to the six-pointed star we’ve encountered already. Geometric beams of light shine from this lantern and seem to bounce around the card, illuminating much, but not all.
Just out of reach of the beams of light, peeking through sheaves of wheat, is an egg with a snake wrapped around it. This is called the “Orphic Egg”, and it turns up in various forms several times throughout Crowley’s Major Arcana, perhaps most notably in the Lovers. It is a symbol of the Universe and the mystery of Life – not entirely unlike the ouroboros we saw twisting around the Scapini Hermit’s staff. The Hermit Thoth seeks it.
The wheat itself is symbolic of fruitfulness and harvest, associated with Persephone. It suggests both life and death, the world of the Living and the world of the Dead, much like Thoth or Mercury himself. This duality is further emphasized by the sperm-homunculus in the foreground on the left, and Cerberus the three-headed hound of Hades on the right. The spermatozoon, as Crowley calls it, stands in for the Hermit’s staff, which is otherwise absent from this image. Like the staff, it represents a drive of sorts, but this one in particular is more primal, embodying the male aspect of reproduction and life. It literally contains within it the potential for a new person. The Cerberus is further representation of the Persephone myth, in that it stands on guard of the realm of the Dead. Two of its heads look forward, and one looks back.
So the Thoth Hermit seeks to reconcile life and death, to shed light on the secrets of the Universe. It is a card of alchemy as well as Kabbalah.
The Orphic Egg sits between the Emperor and the Empress on card VI of the Thoth, who are the titular Lovers of the card. There is a larger-than-life hooded and bearded figure who presides over their marriage. This is the Hermit, again referred to as Mercury by Crowley. Why the Hermit is the officiating minister is something Crowley opted not to explain. But I think that it is because the Hermit is the seeker of truth, of the secrets of life and death and the Universe. Around his arms is a Moebius band-like ribbon, symbolizing unity. Is this what the Hermit is all about? That reconciling of opposites, whether they be man and woman or life and death? Remember the Star of David, with its combination of the opposites Fire and Water. That star is the source of light in the RWS Hermit’s lantern, leading his way towards that which he seeks. Whether or not the Hermit realizes the answers to his questions are already at his disposal is unknown, but it doesn’t matter, because the symbolism of the lantern suggests that, if he stopped searching, he would extinguish his goal. Wisdom is in the search. That is why the Orphic Egg in card IX remains forever just out of reach of the Hermit’s light.
There are a couple small details I’d like to bring up before I wrap this post up. First of all is the fact that Crowley intended his Hermit to be representative of a certain formula that is tied to both the Ten and the Princess of Disks. This is a Kabbalistic idea regarding the descent of energy into matter and its reintegration into spirit. I want only to bring it up here; to delve into that discussion would take me farther off topic than I’d prefer, and I think there is sufficient material there to deserve a post all its own. So perhaps in the future I’ll tackle that one.
There is some color symbolism here, and again, it’s related to the Kabbalah. The Hermit’s robes are the red of Binah, the Sephirah of Understanding, “in whom he gestates”. This color shows up in connection with the number nine and the letter Yod again in the Moon, which I’ve already mentioned in a post about that card. I only call attention to it here because I think it is absolutely an intentional reference to the Hermit. I also think it is a great example, along with the Lovers, of the amazing cohesiveness of the Thoth Tarot. I’ve found that each individual card plays off of the others more so here than in any other Tarot I’ve used. There are many, many connections, and the Hermit occupies an integral spot among them.
So yes, this Hermit looks different than many of the others, and yes, the symbolism is probably more complex than that of most Tarots. But the basic underlying themes of wisdom and understanding through unity of opposites is not only here, but it is practically underlined and italicized for us, if we can only sift through all the esoteric mambo-jumbo. The fact that this card is more abstract and extreme than previous, more traditional examples serves as a reminder that, while a real-life hermit can be a very wise man, with the cards we are actually dealing with archetypes and symbols that transcend mortal humanity.
For my next post, I’ll be taking a look at some Hermits who are more traditional in appearance than Crowley’s but come from Tarot packs that, on the whole, are perhaps less traditional that the Thoth.
*The Book of Thoth, page 88. In fact, everything I’ve put in quotations can be found on this or the next page of the book.