Last time, I elaborated a bit on the Magus’ baboon. It’s the first time we see a creature besides the Magus himself in the card. It’s odd, too, because the first card is supposed to represent singularity. But because we know that the Magus is Mercury and the baboon is Thoth, and Mercury is Thoth, we can surmise that the baboon is an aspect of the Magus. More accurately, the baboon is the Magus’ shadow, or his Devil. The Devil is essentially the trickster gone bad, or the Juggler at his most extreme. The baboon suggests the pitfalls of language, how it pulls us further from the divine, not closer to it. It also hints at the brutal reality of a wild animal just beneath our fragile constructions.
In part four, I discussed the demiurge, or the creator of the world. The demiurge is not the supreme power in the Universe, although he is not necessarily conscious of forces beyond his sphere of influence.
In mythology, the demiurge typically manifests as a masculine sky god. This includes figures like Zeus and Odin, as well as Jehovah. The stories say he created order from chaos, and that the world was shaped by his actions or his commands, and can be altered according to his will. The Magcian similarly manipulates the worldly elements on his table.
In some myths, the Sky Father subsequently assumed control of Creation and all its occupants by ostensibly declaring himself King Of The Castle. Zeus and Odin are each the pater familias of his respective pantheon, and while the Biblical God has no divine peers, He descended from heaven to Mt. Sinai to pass his Commandments along to Moses and his people. Thus the demiurge becomes the Lawgiver. We can easily recognize this development in the Emperor.
Even more rudimentary than the law is the language in which it is written. The myths that tell about the invention of language and stories often involve death and magic. The god of wisdom journeys to the underworld to obtain the letters, and then returns with his boon for mankind. This is Thoth, and Odin. With the aid of monkey-Thoth and the quill and scroll, the Magus can ascend to the heights represented by the Hermit, who is this god of wisdom. And with storytellers such as Anansi, we see again the ties to the trickster.
The trickster, the demiurge, and the wise man. The Devil, the Emperor, and the Hermit. What do all of these have in common? I pondered this for some time before the obvious hit me over the head one evening: they are all men, like the prototypical Man that is the Magus.
It is often said that three is a magic number. What’s that occult saying? From One comes Two, from Two comes Three, and from Three comes everything…? Something like that. The idea is that consciousness boils down to recognition of three (not two, as I asserted in part four to make a point about the Magus and the Priestess). The archetypes are the Father, the Mother, and the Child. Man, Woman, and the integrated Individual. One, Two, and Three. Each of our many perceptions are unconsciously constructed from a pair of binary opposites, and the self stuck somewhere in between them.
I’ve read that the corresponding Tarot cards are the Magus, the Priestess, and the Empress, because of their respective numbers. This makes enough sense, but I believe that the archetypes actually match up like this: The Father-Magus, the Mother-Priestess, and the Child-Fool. After some playing around with the Major Arcana, I found a way to divide the cards into categories based on these three. Each card depicts either a Father figure, a Mother Figure, or the Hero at some point along his quest for individuation. I will eventually write more about this; but for now, back to the Magus.
Aside from the Magus, the male cards are the Emperor, the Hierophant, the Hermit, and the Devil.* Three of these were mentioned at the start of this post; the fourth – the Hierophant – also has a connection to the Magus, which I discussed here. Each of these characters is only a possible manifestation of the Male archetype, which is mythically associated with the sun and sky; the Magus is this archetype in its purest form (in the Tarot). And like Mercury, he has a suit for every occasion, able to perform with skill any role he takes on.
I think it’s interesting that the lemniscate, whether overt or implied, is one of the only constants in all three versions of this card that I’ve covered so far. This is what I’ll be exploring next time, and I believe it is the key to understanding the Magus, no matter which version you’re dealing with.
*I’ve just named four Tarot cards, coinciding with the number of elements or suit symbols on the Magician’s table. This tickles me. Off the top of my head, I’d associate the Emperor with the Pentacle, the Hierophant with the Cup, the Hermit with the Sword, and the Devil with the Wand.