The Sentinel’s Spread, Revisited.

A little while ago, I shared my revised version of the Sentinel’s Spread. What I’d wanted to do with that post was to begin a series, in which I’d examine the constituent parts of the spread through a sample reading. I ran out of steam after a few installments, for a couple reasons. For one, life simply got in the way, and for a time I just didn’t write very often, and so I lost the drive to finish what I’d started.

I realized that my purely hypothetical sample had no relevance, and the further I progressed with it, the farther I had to stretch to reach any sort of meaning or coherence, and I gave up on it, feeling as though I was only succeeding in beating a horse that was already dead.

But when I lay down the Sentinel’s Spread, I always walk away with such profound insights from the cards; and even if I can’t adequately express these sorts of things with sample readings, I don’t want to leave an incomplete, forced and lifeless example as the last word on my blog.


I think the Sentinel’s Spread works because of its combination of shapes, allowing for multiple significant patterns to emerge from the reading.

This is a photo of my most recent Sentinel reading, performed with the pocket Thoth. This setup is pretty typical of my readings lately, except for the Death Candle, which is not normally there.

While the final layout is meant to be read as a unit, there are five distinct components, each of which is made of a significant number and shape itself. If the process of laying the cards is reduced to an equation, it would be this:


with 21 being the total number of cards in the layout. In terms of shapes, it begins with a single point, followed by the line, then the cross or square, then the circle or dodecagon, and brought to completion with a return to the point. The five parts are summarized as follows:

1. The Sentinel (significator): The first card is selected to represent the reader at the time of the reading (or querent, if reading for someone else). I normally select the sentinel and set it aside prior to shuffling and laying out the rest of the cards.

2. The Watchtower (cards 2 – 4): The next three cards are positioned from bottom to top to create a vertical line, meant to evoke a tower. I think of them as three parts of a watchtower: the foundation, in which everything else is grounded; the body of the tower, built upon the foundation and which comprises most of the tower’s actual height; and the top, upon which the Sentinel is posted, which provides the point of perspective. These are metaphors for various inward aspects of the reader at the time of the reading (think body, mind, spirit or subconscious, conscious, super-conscious). The significator is then placed on top, putting the reader in the frame of mind to continue.

3. The Cardinal Directions (cards 5 – 8): These four cards are placed around the watchtower after the pattern of the compass, beginning with the East and the rising sun and concluding with the North. They are also associated with the four elements and the suits of the Tarot: East is Fire and Wands (passion or drive); South is Air and Swords (intellect); West is Water and Cups (emotion); and North is Earth and Coins (the material realm).  The elements are arranged so that Air is opposite Earth, and Fire is opposite Water, and they descend from energy (Fire) into solid matter (Earth) when read clockwise. I view these cards as immediately relevant to the reader, connecting the inward-being of the watchtower with the external world of the following cards. For this reason, I often consider these cards to be akin to walls or gates of a fortification built around the watchtower, or roads leading out from the center.

4. The Horizons (cards 9- 20): The twelve cards of the horizons encircle the eight cards already laid down, equaling the watchtower (3 cards) multiplied by the compass points (4 cards). Once placed, they can be read in any number of ways. This is the point when I start to really see patterns, both among the horizon cards themselves, or in relation to any of the cards already out. The significator represents the center, the point of origin or perspective – the “You Are Here” on the map, and the rest of the reading is the map, if you will, sprawling outward from the center, with the horizon cards showing the farthest reaches visible from the watchtower.

There is no singular way to read all of these cards, and I often find multiple layers of meaning as I approach the spread from different angles. Usually, though, I do like to look at each horizon card in relation to the cards on either side of it. The 12 cards divide nicely into four groups of three cards each, with each of the four cards from the previous section allotted a group. I look at each trio as a beginning-middle-end or past-present-future (or any other of the numerous three-card patterns out there) related to its respective element card, and this helps me process the cards in digestible segments while I wait for any larger patterns to coalesce in my mind.

5. “Sound the Alarm!” (conclusion): One final card is pulled to tie the entire reading together. I usually spend a few minutes with the spread before I pull this card, allowing for a dramatic moment of complete surprise at the end as a counterpoint to the moment of complete control that comes with the conscious selection of the sentinel at the start; but I always pull it before I put the cards away and extinguish any “reading time” candles. I call it the bell or horn or alarm, there for the sentinel to sound if anything urgent is revealed during his watch. It serves as a sort of fail-safe, a general conclusion, or something to ponder, an important detail not to be overlooked, or a final piece of closing advice.


So that’s it. I think I did a pretty good job of summing up the essence of the spread this time, and I’ll probably leave it alone now, except for the occasional possible reading or anecdote in the future. I welcome the questions or input of anyone who decides to give it a try.


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